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Adriano Farinella
Adriano Farinella
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Adriano Farinella
Adriano Farinella
Paintings
2023-2025
2021/2022
2019/2020
2017/2018
2016/2017
2014/2015
2012/2013
2007/2011
Archive
Instruction
Sky & Clouds & Land & Air EASTON, PA
Studiowork Series
StudioWork Residency
Plein Air Workshops
Sky&Clouds&Land&Air ONLINE
StudioWork Online Mentorship
Registration
Workshop Survey
Mentorship Questionnaire
About
Statement & Interviews
Studio Visits
Blog Archive
Newsletter
Store
SPRING Gallery Show 2025
Large Scale Paintings
Limited Edition Prints
Commissioning Paintings
Paintings at Butterhead Kitchen
Gift Cards
Login Account
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Folder: Instruction
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2023-2025
2021/2022
2019/2020
2017/2018
2016/2017
2014/2015
2012/2013
2007/2011
Archive
Back
Sky & Clouds & Land & Air EASTON, PA
Studiowork Series
StudioWork Residency
Plein Air Workshops
Sky&Clouds&Land&Air ONLINE
StudioWork Online Mentorship
Registration
Workshop Survey
Mentorship Questionnaire
Back
Statement & Interviews
Studio Visits
Blog Archive
Newsletter
Back
SPRING Gallery Show 2025
Large Scale Paintings
Limited Edition Prints
Commissioning Paintings
Paintings at Butterhead Kitchen
Gift Cards
SPRING Gallery Show 2025 Painted Sketch 7/2022
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AF 2021 Sketch 7 frame.jpg Image 1 of 2
AF 2021 Sketch 7 frame.jpg
AF 2021 Sketch 7.jpeg Image 2 of 2
AF 2021 Sketch 7.jpeg

Painted Sketch 7/2022

$250.00
sold out

4 1/4 x 6 3/4 inches
Oil on Canson Canva Paper
Framed Size: 11 x 14 inches

Sketches are usually defined as quick, rough, and unfinished studies of composition and color as practice for larger work. But I’ve been working on these as ends in themselves and embracing them as standalone symbols of a daily creative practice.

I consider them poems—not novels, melodies—not full songs.

They’re all inventions, not copied photographs or plein air paintings. They’re essentially an adaptation of the musical practice of variations on a theme and working on many simultaneously feels like I’m following a melody as it moves through varied arrangements. They’ve redefined my studio practice by helping to conjure a creative flow without pressure or weight and have become the basis of my SCLA workshops.

*NOTE: These sketches are mostly small scale works on paper that are painted with big shapes and broad ideas in mind rather than detail and intricate nuance. They are all scanned at 1200 dpi so the digital image you’re looking at on screen is super hi-definition and much closer than you’d ever stand looking at this or any piece of art. I’d suggest standing a few feet away from your screen to get a more accurate feel for what it might look like hanging in your space.

*All sales final

Add To Cart

4 1/4 x 6 3/4 inches
Oil on Canson Canva Paper
Framed Size: 11 x 14 inches

Sketches are usually defined as quick, rough, and unfinished studies of composition and color as practice for larger work. But I’ve been working on these as ends in themselves and embracing them as standalone symbols of a daily creative practice.

I consider them poems—not novels, melodies—not full songs.

They’re all inventions, not copied photographs or plein air paintings. They’re essentially an adaptation of the musical practice of variations on a theme and working on many simultaneously feels like I’m following a melody as it moves through varied arrangements. They’ve redefined my studio practice by helping to conjure a creative flow without pressure or weight and have become the basis of my SCLA workshops.

*NOTE: These sketches are mostly small scale works on paper that are painted with big shapes and broad ideas in mind rather than detail and intricate nuance. They are all scanned at 1200 dpi so the digital image you’re looking at on screen is super hi-definition and much closer than you’d ever stand looking at this or any piece of art. I’d suggest standing a few feet away from your screen to get a more accurate feel for what it might look like hanging in your space.

*All sales final

4 1/4 x 6 3/4 inches
Oil on Canson Canva Paper
Framed Size: 11 x 14 inches

Sketches are usually defined as quick, rough, and unfinished studies of composition and color as practice for larger work. But I’ve been working on these as ends in themselves and embracing them as standalone symbols of a daily creative practice.

I consider them poems—not novels, melodies—not full songs.

They’re all inventions, not copied photographs or plein air paintings. They’re essentially an adaptation of the musical practice of variations on a theme and working on many simultaneously feels like I’m following a melody as it moves through varied arrangements. They’ve redefined my studio practice by helping to conjure a creative flow without pressure or weight and have become the basis of my SCLA workshops.

*NOTE: These sketches are mostly small scale works on paper that are painted with big shapes and broad ideas in mind rather than detail and intricate nuance. They are all scanned at 1200 dpi so the digital image you’re looking at on screen is super hi-definition and much closer than you’d ever stand looking at this or any piece of art. I’d suggest standing a few feet away from your screen to get a more accurate feel for what it might look like hanging in your space.

*All sales final

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AF 2021 Sketch 7 frame.jpg
AF 2021 Sketch 7.jpeg