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Adriano Farinella
Adriano Farinella
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Adriano Farinella
Adriano Farinella
Paintings
2023-2025
2021/2022
2019/2020
2017/2018
2016/2017
2014/2015
2012/2013
2007/2011
Archive
Instruction
Sky & Clouds & Land & Air EASTON, PA
Studiowork Series
StudioWork Online Mentorship
StudioWork Residency
Sky&Clouds&Land&Air ONLINE
Plein Air Workshops
Registration
Workshop Survey
Mentorship Questionnaire
About
Statement & CV & Instagram Feed
Interviews
Studio Visits
Blog Archive
Gallery Opening May 8 2025
Store
Painted Sketches 2025
Small Works
Large Scale Paintings
Painted Sketches 2020-2025
Limited Edition Prints
Commissioning Paintings
Paintings at Butterhead Kitchen
Gift Cards
Login Account
Folder: Paintings
Back
2023-2025
2021/2022
2019/2020
2017/2018
2016/2017
2014/2015
2012/2013
2007/2011
Archive
Folder: Instruction
Back
Sky & Clouds & Land & Air EASTON, PA
Studiowork Series
StudioWork Online Mentorship
StudioWork Residency
Sky&Clouds&Land&Air ONLINE
Plein Air Workshops
Registration
Workshop Survey
Mentorship Questionnaire
Folder: About
Back
Statement & CV & Instagram Feed
Interviews
Studio Visits
Blog Archive
Gallery Opening May 8 2025
Folder: Store
Back
Painted Sketches 2025
Small Works
Large Scale Paintings
Painted Sketches 2020-2025
Limited Edition Prints
Commissioning Paintings
Paintings at Butterhead Kitchen
Gift Cards
Login Account
Large Scale Paintings Vows Make in Storms Are Forgotten in Calm / Indigo 47
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Vows Make in Storms Are Forgotten in Calm / Indigo 47

$3,900.00

Oil on Canvas
48 x 48 inches (unframed)

Currently framed in a black floater frame but can up upgraded to handmade/handleafed frame in last slide for no additional charge.

*SHIPPING IS NOT INCLUDED IN THIS PRICE*
Ground shipping to anywhere in the continental US is included in this price. Shipping upgrades can be added for additional cost. Call or email to request upgrade.

This series is made up of monochromatic paintings using Indigo Blue. I typically start all large scale paintings with a monochromatic block-in moving towards a full palette of color once the composition is set. For years, I’ve used Indigo paintings as an end in themselves adding nothing but white to raise the values. I fell in love with Indigo Blue for it’s depth, range, and quiet power. It’s the visual equivalent of the sound of a solo cello playing in a big empty room. Look for more in this series in the near future.

Add To Cart

Oil on Canvas
48 x 48 inches (unframed)

Currently framed in a black floater frame but can up upgraded to handmade/handleafed frame in last slide for no additional charge.

*SHIPPING IS NOT INCLUDED IN THIS PRICE*
Ground shipping to anywhere in the continental US is included in this price. Shipping upgrades can be added for additional cost. Call or email to request upgrade.

This series is made up of monochromatic paintings using Indigo Blue. I typically start all large scale paintings with a monochromatic block-in moving towards a full palette of color once the composition is set. For years, I’ve used Indigo paintings as an end in themselves adding nothing but white to raise the values. I fell in love with Indigo Blue for it’s depth, range, and quiet power. It’s the visual equivalent of the sound of a solo cello playing in a big empty room. Look for more in this series in the near future.

Oil on Canvas
48 x 48 inches (unframed)

Currently framed in a black floater frame but can up upgraded to handmade/handleafed frame in last slide for no additional charge.

*SHIPPING IS NOT INCLUDED IN THIS PRICE*
Ground shipping to anywhere in the continental US is included in this price. Shipping upgrades can be added for additional cost. Call or email to request upgrade.

This series is made up of monochromatic paintings using Indigo Blue. I typically start all large scale paintings with a monochromatic block-in moving towards a full palette of color once the composition is set. For years, I’ve used Indigo paintings as an end in themselves adding nothing but white to raise the values. I fell in love with Indigo Blue for it’s depth, range, and quiet power. It’s the visual equivalent of the sound of a solo cello playing in a big empty room. Look for more in this series in the near future.

Seeing a painting in person is obviously the best way for a collector to decide if they would like to purchase the work. 

Studio visits are always welcome and encouraged but when that’s not possible, a video really helps in ways that still photos can’t. Please feel free to call or email to schedule a time to visit the paintings in person.

 If you’re not local, I am happy to set up a video call and show you more details of the work. 

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