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Adriano Farinella
Adriano Farinella
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Adriano Farinella
Adriano Farinella
Paintings
2023-2025
2021/2022
2019/2020
2017/2018
2016/2017
2014/2015
2012/2013
2007/2011
Small paintings
Mid-Sized Paintings
Large Paintings
Instruction
Sky & Clouds & Land & Air EASTON, PA
Studiowork Series
StudioWork Residency
Plein Air Workshops
Sky&Clouds&Land&Air ONLINE
StudioWork Online Mentorship
Registration
Workshop Survey
Mentorship Questionnaire
About
Statement & Interviews
Studio Visits
Store
SPRING Gallery Show 2025
Large Scale Paintings
Limited Edition Prints
Commissioning Paintings
Paintings at Butterhead Kitchen
Gift Cards
Login Account
Folder: Paintings
Back
2023-2025
2021/2022
2019/2020
2017/2018
2016/2017
2014/2015
2012/2013
2007/2011
Small paintings
Mid-Sized Paintings
Large Paintings
Folder: Instruction
Back
Sky & Clouds & Land & Air EASTON, PA
Studiowork Series
StudioWork Residency
Plein Air Workshops
Sky&Clouds&Land&Air ONLINE
StudioWork Online Mentorship
Registration
Workshop Survey
Mentorship Questionnaire
Folder: About
Back
Statement & Interviews
Studio Visits
Folder: Store
Back
SPRING Gallery Show 2025
Large Scale Paintings
Limited Edition Prints
Commissioning Paintings
Paintings at Butterhead Kitchen
Gift Cards
Login Account
Large Scale Paintings Where I Lost You / How I Found You 4
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Where I Lost You / How I Found You 4

$7,200.00
sold out

Oil on Canvas
48 x 60 (Unframed)

Unframed but can be framed for an additional charge in either a plain black floater frame or a handmade/handleafed black frame as shown in the last slide.

*SHIPPING IS NOT INCLUDED IN THIS PRICE*
Ground shipping to anywhere in the continental US can be arranged. Shipping upgrades can be added for additional cost. Call or email to request upgrade.

This series is a kind of meditation on before, during, and after. I focused on the idea of watching a storm approach, happen, and pass. As I wrote in the catalog text:

I wanted to bring the energy of storms in and out of these paintings; to be present with the motion and the rest, the light and the dark, the inhale and the exhale. Present while recording the passing of time so I could make something tangible out of uncertainty and in spite of the uniquely discomforting concept that is our own impermanence. Present while stitching together before, during, and after, because impermanence, as it pertains to storms, is comforting.

Add To Cart

Oil on Canvas
48 x 60 (Unframed)

Unframed but can be framed for an additional charge in either a plain black floater frame or a handmade/handleafed black frame as shown in the last slide.

*SHIPPING IS NOT INCLUDED IN THIS PRICE*
Ground shipping to anywhere in the continental US can be arranged. Shipping upgrades can be added for additional cost. Call or email to request upgrade.

This series is a kind of meditation on before, during, and after. I focused on the idea of watching a storm approach, happen, and pass. As I wrote in the catalog text:

I wanted to bring the energy of storms in and out of these paintings; to be present with the motion and the rest, the light and the dark, the inhale and the exhale. Present while recording the passing of time so I could make something tangible out of uncertainty and in spite of the uniquely discomforting concept that is our own impermanence. Present while stitching together before, during, and after, because impermanence, as it pertains to storms, is comforting.

Oil on Canvas
48 x 60 (Unframed)

Unframed but can be framed for an additional charge in either a plain black floater frame or a handmade/handleafed black frame as shown in the last slide.

*SHIPPING IS NOT INCLUDED IN THIS PRICE*
Ground shipping to anywhere in the continental US can be arranged. Shipping upgrades can be added for additional cost. Call or email to request upgrade.

This series is a kind of meditation on before, during, and after. I focused on the idea of watching a storm approach, happen, and pass. As I wrote in the catalog text:

I wanted to bring the energy of storms in and out of these paintings; to be present with the motion and the rest, the light and the dark, the inhale and the exhale. Present while recording the passing of time so I could make something tangible out of uncertainty and in spite of the uniquely discomforting concept that is our own impermanence. Present while stitching together before, during, and after, because impermanence, as it pertains to storms, is comforting.

Seeing a painting in person is obviously the best way for a collector to decide if they would like to purchase the work. 

Studio visits are always welcome and encouraged but when that’s not possible, a video really helps in ways that still photos can’t. Please feel free to call or email to schedule a time to visit the paintings in person.

 If you’re not local, I am happy to set up a video call and show you more details of the work. 

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